Red Cliff | |
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American release poster |
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Traditional | 赤壁 |
Simplified | 赤壁 |
Pinyin | Chì Bì |
Jyutping | Cek3 Bik1 |
Directed by | John Woo |
Produced by | John Woo Terence Chang Han Sanping |
Written by | John Woo Chan Khan Kuo Cheng Sheng Heyu |
Starring | Tony Leung Takeshi Kaneshiro Zhang Fengyi Chang Chen Lin Chi-ling Zhao Wei Hu Jun |
Music by | Tarō Iwashiro |
Cinematography | Lü Yue Zhang Li |
Editing by | Angie Lam Yang Hongyu Robert A. Ferretti (Part 1) David Wu (Part 2) |
Studio | Beijing Film Studio China Film Group Lion Rock Productions |
Distributed by | Avex Group (Japan) China Film Group (China) Showbox (S Korea) 20th Century Fox (Taiwan) |
Release date(s) | July 10, 2008 January 7, 2009 (Part 2) |
(Part 1)
Running time | 280 min. (total) 140 min. (Part 1) 140 min. (Part 2) 148 min. (Western release) |
Country | China |
Language | Mandarin |
Budget | US$80 million |
Gross revenue | US$248.4 million[1][2][3][4] |
Red Cliff is a Chinese epic-war film based on the Battle of Red Cliffs (208-209 AD) and events during the end of the Han Dynasty and immediately prior to the period of the Three Kingdoms in ancient China. The film was directed by John Woo, and stars Tony Leung, Takeshi Kaneshiro, Zhang Fengyi, Chang Chen, Hu Jun, Lin Chi-ling and Zhao Wei.
Within Asia, Red Cliff was released in two parts, totaling over four hours in length. The first part was released in July 2008 and the second in January 2009. Outside of Asia, a single 2½ hour film was released in 2009, though the two-part version was later released on DVD and Blu-ray in the UK.[5] With an estimated budget of US$80 million, Red Cliff is the most expensive Asian-financed film to date.[6] The first part of the film grossed US$124 million in Asia[7] and broke the box office record previously held by Titanic in mainland China.[8]
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Director John Woo said in an interview with CCTV-6 that the film primarily follows the historical text called the Records of Three Kingdoms (3rd century AD) as a blueprint for the Battle of Red Cliffs, rather than the historical novel Romance of the Three Kingdoms (14th century AD). As such, traditionally vilified characters such as Cao Cao and Zhou Yu are given a more historically accurate treatment in the film.[9]
In the summer of 208, during the Han Dynasty, the imperial army led by chancellor Cao Cao embarks on a campaign to eliminate the southern warlords Sun Quan and Liu Bei in the name of eradicating rebels, with the reluctant approval of Emperor Xian. Cao's mighty army swiftly conquers the southern province of Jing and the Battle of Changban is ignited when Cao's cavalry starts attacking civilians on an exodus led by Liu Bei. During the battle, Liu's followers, including his sworn brothers Guan Yu and Zhang Fei, give an excellent display of their combat skills by holding off the enemy while buying time for the civilians to retreat. The warrior Zhao Yun fights bravely to rescue Liu's entrapped family but only succeeds in rescuing Liu's infant son.
Following the battle, Liu's chief advisor Zhuge Liang sets forth on a diplomatic mission to Eastern Wu to form an alliance between Liu and Sun Quan to deal with Cao Cao's invasion. Sun was initially in the midst of a dilemma of whether to surrender or resist, but his decision to resist Cao hardens after Zhuge's clever persuasion and a subsequent tiger hunt with his Grand Viceroy Zhou Yu and his sister Sun Shangxiang. Meanwhile, naval commanders Cai Mao and Zhang Yun from Jing province pledge allegiance to Cao Cao and are received warmly by Cao, who places them in command of his navy.
After the hasty formation of the alliance, the forces of Liu and Sun call for a meeting to formulate a plan to counter Cao's army, which is rapidly advancing towards Red Cliff from both land and water. The battle begins with Sun Shangxiang leading a light cavalry unit to lure Cao's vanguard army into the allies' Eight Trigrams Formation. Cao's vanguard army is defeated by the allies but Cao shows no disappointment and proceeds to lead his main army to the riverbank directly opposite the allies' main camp, where they make camp. While the allies throw a banquet to celebrate their victory, Zhuge Liang thinks of a plan to send Sun Shangxiang to infiltrate Cao's camp on an espionage mission. The duo maintain contact by sending messages via a pigeon. The film ends with Zhou Yu lighting his miniaturised battleships on a map based on the battle formation, signifying his plans for defeating Cao's navy.
Sun Shangxiang has infiltrated Cao Cao's camp and is secretly noting details and sending them via a pigeon to Zhuge Liang. Meanwhile, Cao's army is seized with a plague of typhoid fever that kills a number of his troops. Cao orders the corpses to be sent on floating rafts to the allies' camp, hoping to pass the plague on to his enemies. The allied army's morale is affected when some unsuspecting soldiers let the plague in, and eventually a disheartened Liu Bei leaves with his forces while Zhuge Liang stays behind to assist the Eastern Wu forces. Cao is overjoyed when he hears that the alliance had collapsed. At the same time, Cai Mao and Zhang Yun propose a new tactic of interlocking the battleships together with iron beams to minimize rocking when sailing on the river and reduce the chances of the troops falling seasick.
Subsequently, Zhou Yu and Zhuge Liang make plans on how to eliminate Cai and Zhang, and produce 100,000 arrows respectively. They agreed that whoever fails to complete his mission will be punished by execution under military law. Zhuge's ingenious strategy of letting the enemy shoot 20 boats covered in straw brings in over 100,000 arrows from the enemy and makes Cao doubt the loyalty of Cai and Zhang. On the other hand, Cao sends Jiang Gan to persuade Zhou to surrender, but Zhou tricks Jiang instead, into believing that Cai and Zhang are planning to assassinate Cao. Both Zhuge and Zhou's respective plans complement each other when Cao is convinced, despite earlier having doubts about Jiang's report, that Cai and Zhang were indeed planning to assassinate him by deliberately "donating" arrows to the enemy. Cai and Zhang are executed and Cao realises his folly afterwards but it is too late.
In the Eastern Wu camp, Sun Shangxiang returns from Cao's camp with a map of the enemy formation. Zhou and Zhuge decide to attack Cao's navy with fire anticipating that a special climatic condition will soon cause the wind to shift and that the resulting southeast wind will blow to their advantage. Before the battle, the Eastern Wu forces have a final moment together, feasting on glutinous rice balls to celebrate the Winter Festival. Meanwhile, Zhou's wife, Xiaoqiao, heads towards Cao's camp alone secretly, hoping to persuade Cao to give up his ambitious plans, but fails and decides to distract him instead to buy time for her side.
The battle begins when the southeast wind starts blowing in the middle of the night and the Eastern Wu forces launch their attack on Cao's navy. On the other hand, Liu Bei's forces, which had apparently left the alliance, start attacking Cao's forts on land. By dawn, Cao's entire navy has been destroyed. The allies launch another offensive on Cao's ground army, stationed in his forts, and succeed in breaking through using testudo formation despite suffering heavy casualties. Although Cao is besieged in his main camp, he manages to hold Zhou hostage after catching him off guard together with Cao Hong. Xiahou Jun also appears, holding Xiaoqiao hostage and causing the allies to hesitate. Just then, Zhao Yun manages to reverse the situation by rescuing Xiaoqiao with a surprise attack and put Cao at the mercy of the allies instead. Eventually, the allies decide to spare Cao's life and tell him never to return before leaving for home. In the final scene, Zhou Yu and Zhuge Liang are seen having a conversation before Zhuge walks away into the far distance with the newborn foal Mengmeng.
The Western release trimmed the length of the film from 280 minutes to 148 minutes. An opening narration in English is provided to set the historical context whereas in the Asian release, a more brief description of the context of the political situation appears in scrolling form 10 minutes into the film. Notable cuts include the background and motivations behind Zhuge Liang's plan to obtain 100,000 arrows, including the threat to his life, and the early parts of Sun Shangxiang's infiltration. The tiger hunting scene was also cut from the Western release.
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Production is helmed by Lion Rock Entertainment and China Film Group Corporation.[16] Distributors were fast to clinch the deal before shooting even began. Distributors include Chengtian Entertainment (China), CMC Entertainment / 20th Century Fox Taiwan Branch (Taiwan), Avex Group/Universal Studios Japan (Japan), Showbox (South Korea), and the Los Angeles-based Summit Entertainment (international).[17]
Shooting of Red Cliff started in mid-April 2007.[18] Shooting was held at a film studio in Beijing, as well as in Hebei province, where naval warfare was staged at two working reservoirs.[19]
On June 9, 2008, a stuntman doing shots for the movie was killed in a freak fire accident, which also left six others injured.[20]
Special effects of Red Cliff II were produced by Modus FX, The Orphanage, Frantic Films, Red FX and Prime Focus.
The soundtrack album for the entire film was released by Silva Screen Group in the West.[21]
Red Cliff (Part I): Original Motion Picture Soundtrack | |
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Soundtrack by Tarō Iwashiro & Tokyo Metropolitan Symphony Orchestra |
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Released | 25 July 2008 |
Length | 65:04[22] |
Label | Avex Trax |
Tracklist:
Red Cliff: Original Motion Picture Soundtrack | |
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Soundtrack by Tarō Iwashiro & Tokyo Metropolitan Symphony Orchestra |
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Released | 20 January 2009 (CN) 4 April 2009 (JP) 23 November 2009 (US) |
Length | 64:23[23] |
Label | Avex Trax (CN/JP) Silva Screen (US) |
Tracklist:
# | Song title | Song credits | More information |
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1 | 心・戰 ~RED CLIFF~ (pinyin: Xīn Zhàn ~Red Cliff~) (translation: Mind Battle ~Red Cliff~) |
Composed by Tarō Iwashiro Lyrics by Francis Lee Performed by alan |
The theme song of Part I (excluding in Japan). |
2 | 赤壁 ~大江東去~ (pinyin: Chì Bì ~Dà Jiāng Dōng Qù~) (translation: Red Cliff ~The Great River Goes East~) |
The theme song of Part II (excluding in Japan). The theme song of the Western release. Its official English title is "River of No Return". |
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3 | RED CLIFF ~心・戦~ (rōmaji: Red Cliff ~Shin Sen~) (translation: Red Cliff ~Mind Battle~) |
Composed by Tarō Iwashiro Lyrics by Gorō Matsui Performed by alan |
The theme song of Part I in Japan. Theme song #1's Japanese version. |
4 | 久遠の河 (rōmaji: Kuon no Kawa) (translation: The Eternal River) |
The theme song of Part II in Japan. Theme song #2's Japanese version. |
During the 1st part of the film's Asia release, Variety reported that the film has enjoyed a tremendous start to its theatrical run across East Asia since its release date in July 10, 2008.[24] The film scored a record-breaking opening weekend across six Asian territories.[25] Variety also reported that the film has received a generally positive critical reception in Hong Kong, China.[24] In South Korea, the opening day of Cliff knocked Hancock down to 79,000 admissions Thursday, or an estimated gross of $550,000.[24] The film also drew more than 1.6 million viewers in South Korea — about 130,000 more than the Batman sequel The Dark Knight.[26] At a budget of US$80 million, along with the media scrutiny over its lengthy and troubled shoot, including the death of a stunt man and the hospitalization of its producer, the film is viewed by many as a big financial gamble, however, industry insiders reported thus far, good word-of-mouth and positive reviews appear to be paying off for the film's strong box-office revenue.[27]
The Associated Press (AP) gave the film a glowing review, and states: "John Woo displays the crucial distinction in the magnificently told Red Cliff, the Hong Kong director's triumphant return to Chinese film after 16 years in Hollywood" and "with Red Cliff, Woo shows he's still a masterful director to be reckoned with."[28]
The Hollywood Reporter gave the film a positive review, states the bottom line is: "A formidable prelude to an epic battle with resplendent effects and action spectacles."[29]
Variety also gave the film a favorable review, and describes Red Cliff: "balances character, grit, spectacle and visceral action in a meaty, dramatically satisfying pie that delivers on the hype and will surprise many who felt Woo progressively lost his mojo during his long years stateside." The review also states that the picture may however disappoint those simply looking for a costume retread of his kinetic 80s action films, such as Heroes Shed No Tears and A Better Tomorrow.[30]
The Korea Times writes: "Finally, Asian cinema sees the birth of a movie with the grandeur ― in both budget and inspiration ― of epic franchises like The Lord of the Rings." "Hefty action sequences are knit together with delightful detail, including poetic animal imagery. While the Asian-ness of movies like Crouching Tiger, Hidden Dragon caters to a Western audience, Red Cliff captures the heart and soul of the Asian philosophy with a more universal appeal."[31] One of South Korea's main English-language newspapers JoongAng Daily raves about the film by stating "the historical China film lived up to its expectations in more ways than one."[32]
The Japan Times gave the film a high praise and states "Red Cliff brings all that and more to the screen — a whopping two and a half hours of frenzied action, feverish passion and elegantly choreographed battle scenes..."[33] and listed the film at the end of the year as one of the best international (non-Japanese) films of 2008.[34]
The Malaysian national newspaper New Straits Times also gave the film an enthusiastic review, and states: "The first film is breathtaking in its grandeur, with awe-inspiring battle scenes." The review also praised the film's 'impressive' cinematography and noted that "the characters are all well fleshed-out, complete with individual quirks and mannerisms."[35]
The Vietnamese newspaper Thanh Nien Daily remarked: "Red Cliff’s action is epic. Drawing from actual battle tactics from 1,800 years ago, Woo proves that after all these years he still has the ability to make the action fresh and one-of-a-kind by blending grace with violence in a whole new genre. Lovers of Asian cinema can rejoice, John Woo is back."[36]
The 2nd half of the film, was released in China in January 7, 2009. The Hollywood Reporter writes: "It is director John Woo's level-headed ordering of narrative sequence, his skill in devising kinetic live-action to off-set technical ostentation and his vision of how to turn epic into entertainment that propels "Red Cliff II" to a thundering climax," and "colossal production turns history into legend by splashing out on spectacle and entertainment."[37]
Variety describes the film as "Delivers in spades...with characters already established, this half is expectedly heavier on action...though still pack beaucoup human interest prior to the final hour's barnstorming battle," and states the film overall as "in this 280-minute, two-part version, helmer-producer Woo and fellow producer Terence Chang have indeed crafted one of the great Chinese costume epics of all time."[38]
The Japan Times gave the second film 4.5 stars out of 5, and describes it as a "visually stunning Chinese historical epic ratchets the entertainment factor up to eleven."[39]
Western critics also reacted positively to the film when the two parts were released as one film (150 minute version) in June 2009. The film received an 88% rating on the reviews aggregator Rotten Tomatoes based on 100 reviews, the general consensus being that the film had "impressively grand battlefield action" with the majority of critics agreeing that director John Woo "returns to form" with Red Cliff.[40]
Awards | |||
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Award | Category | Name | Outcome |
3rd Asian Film Awards | Best Picture | Nominated | |
Best Director | John Woo | Nominated | |
Best Visual Effects | Craig Hayes | Won | |
28th Hong Kong Film Awards | Best Picture | Nominated | |
Best Director | John Woo | Nominated | |
Best Actor | Tony Leung Chiu-Wai | Nominated | |
Best Supporting Actor | Zhang Fengyi | Nominated | |
Best Supporting Actress | Zhao Wei | Nominated | |
Best New Actor | Lin Chi-ling | Nominated | |
Best Cinematography | Lü Yue, Zhang Li | Nominated | |
Best Film Editing | Angie Lam, Robert A. Ferreti, Yang Hongyu | Nominated | |
Best Art Direction | Timmy Yip | Won | |
Best Costume and Make-up Design | Timmy Yip | Won | |
Best Action Choreography | Corey Yuen | Nominated | |
Best Sound Design | Wu Jiang, Roger Savage | Won | |
Best Visual Effects | Craig Hayes | Won | |
Best Original Score | Tarō Iwashiro | Won | |
Best Original Song | "Mind Battle: Red Cliff" | Nominated | |
32nd Japan Academy Prize | Best Foreign Language Film | Nominated |
Awards | |||
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Award | Category | Name | Outcome |
29th Hong Kong Film Awards | Best Picture | Nominated | |
Best Director | John Woo | Nominated | |
Best Supporting Actor | Chang Chen | Nominated | |
Best Supporting Actress | Zhao Wei | Nominated | |
Best Cinematography | Lü Yue, Zhang Li | Nominated | |
Best Film Editing | David Wu, Angie Lam, Yang Hongyu | Nominated | |
Best Art Direction | Timmy Yip | Nominated | |
Best Costume and Make-up Design | Timmy Yip | Nominated | |
Best Action Choreography | Corey Yuen | Nominated | |
Best Sound Design | Wu Jiang, Steve Burgess | Won | |
Best Visual Effects | Craig Hayes | Nominated | |
Best Original Score | Tarō Iwashiro | Nominated | |
Best Original Song | "River of No Return" | Nominated | |
33rd Japan Academy Prize | Best Foreign Language Film | Nominated | |
14th Satellite Awards | Best Foreign Language Film | Nominated | |
Best Film Editing | Angie Lam, Yang Hongyu, Robert A. Ferretti | Nominated | |
Best Art Direction and Production Design | Timmy Yip, Eddy Wong | Nominated | |
Best Costume Design | Timmy Yip | Nominated | |
Best Cinematography | Lü Yue, Zhang Li | Nominated | |
Best Visual Effects | Craig Hayes | Nominated | |
Best Sound (Mixing and Editing) | Roger Savage, Steve Burgess | Won | |
36th Saturn Awards | Best International Film | ||
Best Music | Taro Iwashiro | ||
Best Costume | |||
13th LVFCS Awards | Best Foreign Language Film | Won | |
15th BFCA Critics' Choice Awards | Best Foreign Language Film | Nominated | |
8th WAFCA Awards | Best Foreign Language Film | Nominated | |
3rd HFCS Awards | Best Foreign Language Film | Nominated | |
16th DFWFCA Awards | Best Foreign Language Film | Nominated |
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